Movie Review – Luca (2021)

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Luca, 2021.

Directed by: Enrico Casarosa.
Featuring the voice skills of Jacob Tremblay, Jack Dylan Grazer, Emma Berman, Saverio Raimondo, Maya Rudolph, Jim Gaffigan, Marco Barricell and Sacha Baron Cohen.

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SUMMARY:

A young sea monster who fears the surface finds himself tied to a rebellious alien who introduces him to the human world.

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When you’re a teenager, summer is everything. Two months without school creates an endless area of ​​apparent freedom where anything is possible, from the park’s illegal massive masses to adventures with friends and forgotten joy simply by doing nothing. As the last sentences suggest, adults tend to romanticize the carefree world of adolescent summers, and this is fed into a magnificent movie theater, whether it’s Rob Reiner’s classic Stephen King arrangement Stand by my side or Jordan Vogt-Roberts’s deliciously weird The kings of summer. Pixar is now stepping forward into that world with a lousy, delightful aging story Luca.

The film serves as the lead director of long-time Pixar employee Enrico Casarosa, who was Oscar-nominated for his 2011 short film. La Luna. Much like that movie, Luca is a celebration of difference and outsiders that boasts exactly the kind of formable, universal allegory that Pixar is so often able to turn into gold. Visual similarities to the homosexual of Luca Guadagnino Call me by your own name he had many hoping for a queer subtext, and while it is not openly present, there are plenty of opportunities for anyone seeking to express their true identity to feel what Casarosa has done to see.

The film’s protagonist, portrayed by Hollywood’s adorable teenager Jacob Tremblay, is a sea monster who his parents (Maya Rudolph and Jim Gaffigan) constantly warn of the dangers of “land monsters”. A casual encounter with the liberal Albert (Jack Dylan Grazer) experiences him experimenting with stepping on land and experiencing a “Change” that makes sea monsters look dry to humans. When Luca’s parents discover this, they threaten to send her to live with the strange Uncle of the Sea (Sacha Baron Cohen) in the deep sea. This encourages him to join Alberto to escape to the nearby village of Portorosso, where there is murderous hatred for sea monsters.

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Casarosa has been open about his influences, and he has often cited Ghibli King Hayao Miyazaki as a key guiding light. This effect is sure to come through a powerful, idealistic feeling Luca. It’s less intriguing than the latest Pixar outings, and much of the story, built around the middle duo, collaborates with another outsider bullied local girl Giulia (Emma Berman) to win Vespa-riding narcissist Ercole (Saverio Raimondo) at the annual triathlon competition, which includes swimming, biking, and eating a huge bowl of pasta.

The action is for the most part defiant, as it is mostly about Luca’s liberation and freedom that loosens the shackles of her protective parents for the first time. It is a PG value equivalent to a holiday for charming boys to Ayia Napa. But the relatively loose drawing doesn’t minimize the emotional image, especially as Luca’s more charming friendship with Giulia makes Alberto jealous – in a neat and subtle touch, he’s literally a monster of the green eye. Luca has to struggle between embracing her true identity and expressing pride and the wider community she desperately wants to join. He is crippled by fear of prejudice, and this is a concept to which the film adds significant and compelling wrinkles.

But most of all, this movie is just a delightful experience. Casarosa’s close connection to location and tone – it’s strongly due to her own childhood in Genoa – gives the world a wealth and a heart that reinforces a sense of escapism. Dan Romer’s soaring score likewise catapulted the audience to Luca’s dream destinations and the fascinating excitement of the mature world of invention. Luca is a film about the descent of walls and the fading of borders. A real feeling of boundless potential that captivates young viewers and evokes hazy nostalgia in adults who remember those feelings.

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After all, despite his considerable charm Luca appears as a rather small Pixar story, and it doesn’t sit in the upper stages of the studio’s exceptional output. We are far from adventure and emotion Finding Nemo or breathtaking complexity Inside out, but Luca it feels like the film is landing at just the right time. After a year of being trapped in our homes, the story of exploration, suspense, and breaking boundaries feels right up to the doctor.

Flickering myth rating – Movie: ★ ★ ★ ★ / Movie: ★ ★ ★ ★

Tom Beasley is a freelance film journalist and wrestling fan. Follow him On Twitter via @TomJBeasley for film opinions, wrestling issues, and dictionaries.

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